Wait…Please don’t go.
I know what you’re thinking. I’ve sat through a lot of crap too but trust me this isn’t one of THOSE movies. You gotta remember that those two words can also be used to describe: Annie Hall, Harold & Maude, Buffalo ’66, Punch-Drunk Love & Chasing Amy.
OK. You’ll stay? Thank you. Here we go.
Sorry Zach Braff & Natalie Portman, you have both just been usurped. You are no longer the reigning hipster film couple. That title now belongs to Joseph Gordon-Levitt & Zooey Deschanel the stars of the heartbreaking and touching (500) Days of Summer.
I could spend paragraph upon paragraph discussing the unconventional structure, soundtrack and alienating devices but what’s the point? Even without those elements this would still be a successful film. Strip everything away and it is still an emotionally true and heartfelt story. The film geek stuff is just icing on an already delicious cake.





Great art can take the specific and make it universal. By intensely exploring 5 years in the ghettos of Baltimore Maryland The Wire was able to make profound statements about crime, politics, media, addiction, etc. This show was able to take material that is usually relegated to the editorial page and make it riveting entertainment. Couple that with an amazingly talented ensemble of actors and you get a classic that will be remembered for years to come.
Combine two of the shittiest elements of post-millennial life (reality TV & Enron) and what do you get? One of the funniest and most quotable shows ever! So what if not a single character was sympathetic? People love to laugh at buffoons. The more self-aggrandizing the buffoon the better. Though the show died an unceremonious death after 3 underrated seasons the waves it started can still be felt in film & TV to this day. You're welcome Michael Cera!









