Monday, December 29, 2008

Bad News & Bragging

People have been waiting around for a film adaptation of Alan Moore & Dave Gibbons' The Watchmen since the mid 80s. The film is now shot, edited and ready to roll. But it seems we might have to wait a little bit longer.

Just before Christmas a judge ruled that Fox had some legal claim on the property. Today Fox officially asked to stop the film's March release. Man I fucking hate Fox almost as much as they seem to hate fan boys.

First they make shitty movies like The Day The Earth Stood Still and Dragonball Evolution that condescend to one of the most educated and literate audiences out there. Now they top it off by blocking the release of geekdom's most anticipated film. And all of it is done for the all mighty dollar. They just want to see how much they can wring out of Warner Brothers. What a bunch of pig anuses.

In other news....I got one of these bad boys for Christmas -
I am absolutely in love with the images I'm getting out of it. I feel like a big boy now. For anyone who is interested you can check out my portfolio over at:

www.myspace.com/pinkcowphotography

Feel free to comment and if you have any photographing needs you think I might be able to fill just let me know.

My other prized acquisition?

God I love Stanley Kubrick. I just spent the past year watching each of his films one at a time and each one is breathtaking in its' own way. This book is absolutely a must own for anyone who loves film. It is filled with high resolution photos from all the films, behind the scenes shots, script pages, costume designs, etc. It even has a section on his un-filmed projects (Napoleon, Aryan Papers and A.I.).

Some time soon I hope to post something on here about Kubrickian structure (as pretentious as that sounds). I've also got lots of other ideas for this here blog percolating. 2009 should be fun.

Mahalo.

"Are the girls in Phoenix that bad?"

Though I've only seen her in one film I would be remiss if I did not mark the passing of film noir legend Ann Savage at the age of 87. Her performance in Edgar G. Ulmer's Detour has to be seen to believed. She really lives up to that last name of hers. She recently appeared in Guy Maddin's latest film My Winnipeg which I still desperately need to see.

Ms. Savage, you will be missed.

Tuesday, December 23, 2008

Centenial Stocking

Well here we are at blog #100 and Christmas is just a few days away. I'd like to take this moment to thank everyone who has ever taken a few minutes out of their day to read my ramblings (especially if you read the real loopy pinko stuff). Hopefully you found whatever you read to be at least a little bit enjoyable. I try very hard to make this blog the best that it can possibly be and it's so fulfilling to know that there are actually people out there who read it. I wish each and every one of you a very happy holiday (whatever that holiday might be) and hope that the new year brings you nothing but awesomeness.

I now leave you with my favorite holiday odd couple of all time. Take it away Bing...

Monday, December 22, 2008

Get Off My Lawn!

With award season in full swing, everyone is making predictions. Will Brad finally get one? How about Anne? A second one for Sean Penn? Lots of great actors gave attention getting performances this year. So who am I putting my money on? This guy -

Now I know that at first blush this prediction appears to stink with the same stench that gave Al Pacino a golden boy for Scent of a Woman over Denzel Washington in Malcolm X. I'll admit that when I first started hearing Clint's name bandied about I had similar thoughts. Oh they're just gonna give it to him because he's never won one for acting and this might be his last performance. It'll be like when Paul Newman won for The Color of Money. All of that changed last night when I saw Gran Torino.

In the hands of a lesser man this could have been sub-par Archie Bunker. With Eastwood it becomes a tour de force. Walter Kowalski is the role Clint was born to play. While "The Man With No Name" and Harry Callahan are great iconic manifestations of cool and badassery, this role really and truly bleeds.

The performance walks a delicate line and could have easily descended into self parody. Oh it's Dirty Harry Callahan starring in Grumpy Old Men. Fortunately Clint stopped making that kind of shit with Space Cowboys and Blood Work. In one scene he will make you laugh in shock at the horrible things coming out of his mouth, and in the next you are moved by the rage and sadness behind those legendary squinted eyes.

Since Mystic River he has been driving hard like a man on a mission. Twice in the last five years he has released two films within months of each other. Momentum like that has to be building towards something. I feel that something is this role. After this Clint never needs to act again. There is nothing left to prove. This is the cinematic equivalent of going down in a blaze of glory and it's so beautiful to watch.


Lowest Common Denominator

For the most part I hate contemporary film posters. Gone are the days of awesome stuff like this Saul Bass masterpiece: And what do we get instead? Shitty "big head" posters. Yeah you know what I'm talking about. All of them look EXACTLY like this:

Oh wow Julia Roberts is in this movie? I could have never found that out by reading the poster. Good thing her face was on their big as life. I only go see movies based on who is starring in them. I have to go drink some paint thinner now. Bye.

Anyhow...Occasionally a good poster will come along. Something with a very nice graphic sensibility. Something you might actually hang on your wall. Something like:
The image also makes for great DVD art. Or so you might think. According to the fine folks at Touchstone, this monstrosity will make you want to rent Miracle at St Anna:
What the fuck is wrong with this world? Were they trying to make use of shitty reject art they had laying around? Is DVD art really that important these days? I understand needing an image that appeals to the lowest common denominator so as to grab their attention while they are roaming the video store. But most people these days get their films either by bootleg, Netflix or cable.

Can't we just keep the nice pretty original art? Please?

Saturday, December 20, 2008

California Über Alles!

Former Governor and current Attorney General Jerry Brown has reversed his stance on Prop Hate. Back in November when the measure first passed, Brown declared that he would defend it against legal challenges. His new opinion...

"...upon further reflection and a deeper probing into all the aspects of our Constitution it became evident that the Article 1 provision guaranteeing basic liberty, which includes the right to marry, took precedence over the initiative. Based on my duty to defend the law and the entire Constitution, I concluded the court should protect the right to marry even in the face of the 52 percent vote."

Some people think Jerry is gonna run for Governor again in 2010. If so, THIS has absolutely put me in his corner.

JERRY BROWN 2010!

Thursday, December 18, 2008

It's Beautiful

Sam Bottoms, who made his screen debut as the innocent Billy in Peter Bogdanovich's classic The Last Picture Show, died today. He was only 53. Bottoms also appeared in Francis Ford Coppola's Apocalypse Now as surfing superstar Lance B. Johnson . Though he has left this world, those two performances will remain forever. Rest in peace sir.

Stop Me If You Think You've Heard This One Before

It's everybody's favorite time of the year! The time when every magazine and blog in existence puts out their "best of" lists! Since I'm nobody special we'll just refer to my lists as "favorites". Here we go...

Top 5 Favorite Songs
-Paper Planes: M.I.A.
-A-Punk: Vampire Weekend
-Flashing Lights: Kanye West (feat. Dwele)
-Time To Pretend: MGMT
-Ready For The Floor: Hot Chip

Yes I'm aware that some of these songs are from albums that came out in 2007 but since they were not released as singles until 2008 they are fair game so bleh.

Top 5 Favorite Albums
-Feed The Animals: Girl Talk
-Dear Science: TV on the Radio
-Vampire Weekend: Vampire Weekend
-Oracular Spectacular: MGMT
-Volume One: She & Him

Ta Da! All done. Fairly painless. Most of this stuff you can find on other people's lists but oh well. These are MINE! All mine! *evil laugh*

If for some insane reason you're waiting around for a list of favorite films you're gonna have to wait a whole lot longer. I still have lots to see before I can make THAT list. But seeing as I review every film I see, it's not really that hard to get a vibe for what might make the list. For now...

Mahalo

Wednesday, December 17, 2008

You Say You Want A Revolution?

If you put any two objects in close enough proximity to each other, they cease to be two objects. As legendary filmmaker and theorist Sergei Eisenstein put it, "each sequential element is perceived not next to the other, but on top of the other". It creates a cumulative effect. Your perception of one alters your perception of the other. You become acutely aware of the similarities and differences. This is precisely the dialectic at work in Stephen Soderbergh’s 4 ½ hour, 2-part epic on the life of Ernesto “Che” Guevara.

The first film, entitled The Argentine, focuses exclusively on Che’s involvement with the Cuban Revolution. Though the film is about revolution and takes many of its cues from legendary films on the subject (Soy Cuba, Z, The Battle of Algiers, etc) it comes off as much less dogmatic than other films of that sort. This is the result of the objective Brechtian style Soderbergh employs. This allows the audience to stand back from both action and ideas. They get to take everything in and evaluate it for themselves.

It is fascinating to see how something which began as small talks among expats in Mexico, lead directly to a new regime taking power in Havana. And over the course of that journey we get to watch Benicio Del Toro transform from an asthmatic Argentinian doctor into the quintessential symbol of rebellion. The performance is nothing short of spiritual possession. As exhilarating as the victory in Cuba is, it is underscored with a knowledge of all that will follow.

Though it starts out like The Argentine with a small band of idealistic and dedicated rebels coming together for a cause, Guerilla quickly devolves into an example of how badly things can go wrong. The film is a much more morbid affair than it's counterpart. It plays like a Sam Peckinpah western where death hangs in the air throughout. Like the band of outlaws in The Wild Bunch, they are doomed yet continue.

While Guerilla does have some drag late in the second act, it very quickly regains its footing for the very emotional and inevitable climax. Thanks to the Soderbergh's use of the Red One camera, Che's capture and execution become some of the most beautiful moments in an already exquisitely beautiful film.

Some have blasted the film for its' treatment of the politics. The lefties want it to be a recruitment film and conservatives want it to demonize Che, yet the film does neither. That is because this film is not about politics.

Take away all the guns and fatigues and this is could be the story of any maverick filmmaker's career. The great early success coupled with the disaster plagued dream production that never gets off the ground. But even that analogy isn't completely apt because in the end, this is simply a film about a man. A man who believed in something so completely he was willing to fight for it - to the death.

Hasta La Victoria Siempre!

Monday, December 15, 2008

Silly Things (Video-palooza)

From about 4th grade till freshman year I was a moderate Anime nerd. It never got to Cosplay levels but it was pretty intense. In addition to classics like Akira and Fist of the North Star I also found myself watching Sailor Moon for a fix.

Though I don't really follow that scene any more I still have an intense respect for the medium. The energy and imagination that goes into even a half-hour episode of a cartoon series is awe inspiring. The following trailer has absolutely NO respect for the art of Japanese anime:



I seriously thought they stopped making movies like this with Mortal Kombat: Annihilation. This is getting a theatrical release? I could have rounded up a bunch of Cosplay kids from Comic Con and made a better movie. And poor Chow Yun Fat. Apparently he passed on re-teaming with John Woo to be in this film. WHAT THE FUCK?!?

In other news...

While the rest of the world is starting to take comic book films seriously, Fox continues to excrete condescending shit like this:




It was very shrewd marketing to put this before The Day the Earth Stood Still. They probably figured that since the film looks like shit they should market it to people who like to go and see shit. If you're there to see Keanu "act" then you'll be totally fine with that bit at the end of the trailer with the helicopter.

It's so weird. The big daddy company (20th Century Fox) produces such shit, while their boutique branch (Fox Searchlight) has churned out a fairly steady stream of quality like Little Miss Sunshine, Juno, The Darjeeling Limited and this year's magic film Slumdog Millionaire.

Hopefully Hugh Jackman's next production will be of a little higher quality considering that it's -

THE MOTHER FUCKING OSCARS!?!?

OK kids. Not all hope is lost. At least Asian cell phone commercials still have a high standard of quality.

Here's a Japanese cell phone commercial directed by Wes Anderson and starring Brad Pitt:



and a pretty sweet Chinese one where they do their infinitely more awesome version of Fred Astaire dancing with a Dirt Devil:



To serve as a sort of French bookend to Wes Anderson's clip, we have this lovely Dior spot directed by Ms. Sofia Coppola:



OK. Let's end this with a lame duck who can apparently duck like the best of them:



Now let's see if he can duck a war crimes tribunal.

Mahalo

Friday, December 12, 2008

The Queen Is Dead

Bettie Page, queen of the pin-ups, died today at the age of 85. While I do not worship at her altar like many in other crowds do, I still find her to be absolutely stunning. A reminder of a time when real, live, women roamed the earth.

I am also eternally indebted to her. It was a film about her life which brought me together with the love of my life. May you will live on forever in the wet dreams of greasers everywhere.

Thursday, December 11, 2008

It's A Hard Knock Life

Imperialism never ends in a clean break. Though 60 years have elapsed since India declared independence from Britain, both sides are still feeling the cultural impact of the other. Thus, Indians follow cricket and London is a great place to go for a curry. This symbiotic relationship is what allows a film like Slumdog Millionaire to work.

Set in the slums of Mumbai and directed by an immensely talented Scotsman; Slumdog tells the surprisingly moving (though somewhat improbable) story about how far love and street smarts can take you. This film is alive like nothing since City of God. The colors pop, the music pulses and it is all in the service of moving your heart.

This is the best type of escapism. It pulls no punches. It depicts a truly cruel world that needs to be escaped from. Murder, torture, prostitution, etc. Our hero Jamal never gives up hope. This film is most definitely going to be this year's "little movie that could" (a la Little Miss Sunshine and Juno) and I could not possibly be any happier.

Golden Thoughts

OK. So the Golden Globe nominations were announced this morning. There are things to cheer and things to boo. Since I am a benevolent dictator I will tell you which is which. Also - this entry will be edited over the next month plus as I see more of the nominated films.

Best Picture - Drama
-HUGE yay for Slumdog Millionaire (see review)
-Glad to see Benjamin Button make the list. Reviews have been mixed but I love me some David Fincher and plan on seeing it as soon as possible.
-The rest of the nominees are expected. They're your usual awards fodder. Important pictures and melodramas. None of them look bad but I'm also not salivating to see any of them.
-While it would have been nice/interesting/provocative to see Dark Knight on the list it's not exactly a surprise to see it excluded.
-WHERE THE FUCK IS MILK!!!!!!

Best Actress - Drama
-Yay Anne Hathaway. Some were afraid that Rachel Getting Married would end up being forgotten since it was released so long ago.
-From what I've heard about Changling and the clips I've seen I don't think Angelina is going to find a slot when it comes time for Oscars.
-I absolutely adore the rest of the actresses nominated and need to see their films.

Best Actor - Drama
-Sean Penn sooooooooo rocks the party in Milk.
-Glad to see Brad Pitt getting some love. Too many people dismiss him as a pretty face. He is an extremely gifted actor.
-I cannot wait to see Mickey Rourke in The Wrestler.
-Leo will probably get an Oscar nod but will once again not win. How do he and Johnny Depp not have golden boys yet?
-No Benicio?

Best Picture - Comedy/Musical
-Burn After Reading was good psychotic fun.
-I have NEVER seen a Mike Leigh film (shame on me). Happy-Go-Lucky looks great.
-Whatever Mamma Mia!
-At least The Sex and the City Movie didn't get a nod.
-Fuck you In Bruges
-Happy-Go-Lucky will probably win but I really really really liked Vicky Cristina

Best Actress - Comedy/Musical
-I'm really happy Rebecca Hall is getting recognition for her great work in Vicky Cristina. I was worried the more showy roles would make you forget her.
-I love all the rest of those actresses. I even forgive Meryl for Mamma Mia!

Best Actor - Comedy/Musical
-What an odd assortment of actors
-Brendan Gleeson and Colin Farrell are both great actors but In Bruges really left me cold. Their nominations will cancel each other out so no real need to worry.
-Javier was great as always. I smell win.
-I don't even remember hearing about that Dustin Hoffman movie.
-James Franco reminds us what a talented actor can do with a stoner.

Best Animated Feature
-Like this is even a competition. Wall-E has it in the bag.

Best Foreign Film
-I feel like suck a film fraud. I have seen none of these.
-I'm surprised they didn't nominate Che like they did Letters From Iwo Jima and Apocalypto a few years back. They must have really not liked it.

Best Supporting Actress
-Yet another list of awesome women! Girl Power!

Best Supporting Actor
-Tom Cruise? Really? Was it that shitty of a year for supporting roles that his stupid fat suit dancing made him eligible for an award?
-They said it was a long shot but the proof is in the pudding...Robert Downy Jr.
-Ralph Fiennes and Philip Seymour Hoffman are two master thespians but EVERYONE knows we will be honoring the late, great and worthy Heath Ledger for his AWESOME Joker.

Best Director
-Though the word got waaaaaaay over used this year, I really enjoy seeing mavericks on this list. Danny Boyle and David Fincher make movies like nobody else.
-Why isn't Gus Van Sant on this list? And Darren Aronofsky! We need more mavericks!
-The other nominees are very skilled at their craft.

Best Screenplay
-Slumdog was very well written. Great structure.
-Haven't seen any of the others but Frost/Nixon is "important" enough that it will likely win.

Best Score
-A.R. Rahman's Slumdog score was amazing! I found myself grooving in my seat.
-Other than Slumdog nothing really caught my ear this year. Hee hee it rhymes.

Best Song
-I don't really care about this category this year though Bruce Springsteen is the fucking man. He's probably got a statue headed his way. Hopefully the Oscars don't snub him like they did Mick a few years back.

Best Series - Drama
-WHERE THE FUCK IS THE WIRE!!!
-I love me some House
-Don't watch the rest of these shows. I need to start watching Mad Men. It will probably win.

Best TV Actress - Drama
-I follow none of these shows.
-Interesting to see a procedural like Law & Order: SVU making the list but go Mariska!

Best TV Actor - Drama
-Jon Hamm has it. He's a funny guy and I look forward to his acceptance speech.
-I would really like to see another Hugh Laurie speech.

Best Series - Comedy
-I am so torn between 30 Rock, The Office and Weeds. I love love love all three of these shows and don't like having to pick between them. But since this is the year of Tina Fey it's gonna be 30 Rock.
-Freddy says I should watch the other two nominees. I'll get around to it.

Best TV Actress - Comedy
-Torn between Tina and Mary-Louise. But as I said this is Tina's year.

Best TV Actor - Comedy
-Torn between Baldwin and Carell. Don't know if Tina has enough juice to get Alec to the podium. It'll be interesting to see who wins.

All Best Mini-Series Categories
-I have seen NONE of these. But I will go out on a limb and say that John Adams will sweep based purely on the fact that even Steve Jones of the Sex Pistols was excited about this mini-series.

Best TV Supporting Categories
-No real opinion.

Monday, December 8, 2008

12.08.80

Any music blogger worth his or her salt has posted about today being the anniversary of John Lennon's assassination. I wonder: how many of them actually shared this planet with Mr. Lennon? I did not. But that has not stopped his life and music from touching me in very intense and emotional ways.

I was the dreamweaver
But now I'm reborn
I was the walrus
But now I'm John

Those four lines get me like absolutely nothing else can. There will never be another John Lennon. He was even prescient enough to give us the perfect Christmas Carol for the new frontier that lies ahead of us with President Obama.


Tout Va Bien?

This morning when I first heard about the sit-in at Republic Windows & Doors, the first thing that came to mind was Jean-Luc Godard and Jean-Pierre Gorin's film Tout Va Bien about a strike at a sausage factory.

I did not think of Karl Marx

I did not think of the Industrial Revolution

I did not think of social justice & worker's rights

I thought about a movie

What is wrong with me?

Saturday, December 6, 2008

Friday, December 5, 2008

"My name is Harvey Milk and I'm here to recruit you!"


In early 2007, there were two Harvey Milk bio-pics in development. One was titled The Mayor of Castro Street with Bryan Singer attached to direct. The other was simply titled Milk, with Gus Van Sant at the helm. With the threat of a writers’ strike looming, both projects took a ‘now or never’ approach and were moving forward at full speed. When the strike hit in early November, only Milk had a completed screenplay. THANK GOD!

Now don’t get me wrong. Bryan Singer is a very talented filmmaker and I am really looking forward to Valkyrie. It’s just that I cannot possibly conceive of ANYONE making a better Harvey Milk film than the one currently in theaters.

On a narrative level Milk is your average bio-pic. Dustin Lance Black’s screenplay hits all the standard sign posts (framing device, heavy foreshadowing, touching ending, etc.) but on a stylistic level this film is far from standard. Techniques commonly used to generate either empty excitement (Guy Ritchie) or intellectual alienation (Jean-Luc Godard), are here employed to bring the audience further into the narrative.

This film allows you inside the moments that formed and defined Harvey Milk. The moments no documentary crew could ever conceive of capturing. You witness the passion and tenderness of his courtship with Scott. You feel his anguish over another lover's sudden departure. You even get to be there for Harvey’s most private moment - his last breath. The sense of intimacy is awesome.

Gus Van Sant and his team deserve every bit of praise coming their way. They did the impossible. They were able to make a film that is both conventional and experimental, educational yet entertaining. And most miraculously, they made a film about a tragedy that still gives you hope. And in times like these, we all need a little hope.

Please go see this film.

…just not at a Cinemark© theater ( http://nomilkforcinemark.com/ )

Monday, December 1, 2008

Don't Pust Me, Cause I'm Close To The Edge...

So I’m staring at the magazine rack when newest issue of Spin catches my eye.


Kind of hard for anyone to NOT give that cover a second glance right? Homegirl is fierce as shit. Well anyway, upon closer examination I see the words –

Special Report: Is Sampling Dead?

What? Sampling dead? I must know more.

Inside the magazine there is an article about how only the richest and most successful rappers are able to afford the exorbitant price one must pay to clear a sample. For me and hip-hop (never thought I’d ever start a sentence that way) this is terrible, horrible, no good, very bad news. As the RZA puts it, “Hip-Hop is becoming just another form of pop music.”

Sampling is the foundation of hip-hop. Everyone loves to recite the lyrics to “Rapper’s Delight” but what really gets you moving is that break-beat from “Good Times” by Chic. The same can be said for any old-school hip-hop track. It was RUN-DMC’s use of an Aerosmith sample that finally broke down the MTV color wall. At its’ core you need two things to make hip-hop: an MC and a DJ. It takes two to break dance.

So anyway…

In the article they also mention an album that I'm pretty late to the game on (as per usual). It's called Feed the Animals by a DJ called Girl Talk which features 300 un-cleared samples. Now that's the kind of chutzpah I like to see! Of course I had to hear this for myself.

Let me state right now that I am putting in my vote for Feed the Animals as album of the year. This thing is insanity. 14 songs which all work as one giant song! Totally groovable and filled with a diverse assortment of samples culled from the past 50+ years of music. It’s like someone made an album just for me. He even samples songs that sample other songs!

Not to toot my own horn but…people often remark about my diverse taste in music. They’re astounded to learn that my iPod holds rock, rap, country, punk, techno, etc. I don’t see it has particularly astounding. I like good music and don’t believe in limiting myself to one genre, nobody should. Good tunes is good tunes. And that is exactly what Feed the Animals is all about. You can put it on at a party and there is something for everyone.

The album is only available online and you get to pick your own price. There is no excuse not to own it. Turn it into a game. See how many samples you can spot.

http://74.124.198.47/illegal-art.net/__girl__talk___feed__the__anima.ls___/

Sampling is NOT dead!

Support your local DJ!

SUPPORT GOOD TUNES!

"Don't go out there! There's something in the mist!"

Sweet Jesus this fog is thick!

It got Becca and I talking about Frank Darabont's AMAZING adaptation of Stephen King's novella The Mist. If you have not seen it yet you NEED to. It is crazy good with one hell of an ending.

If/when you do see it, I recommend watching it at night and in black and white. The two disc DVD of the film comes with a black & white version. If your video store only has color just adjust your TV's settings. Totally worth it.

Friday, November 28, 2008

Give Love A Chance

Even if you're not familiar with the band Love you have probably seen this album cover somewhere -
Whenever there is a list of the greatest albums of all time you will likely find Forever Changes on there. It's a really great album. "Alone Again or" is one of the greatest album openers ever and the following 10 tracks live up to that promise.

I didn't hear this album till about a year ago when I found it among the CDs of my long deceased uncle Gary. When he died he was living with my grandparents and his CDs are still there. It's weird - I've kind of grown up with that collection. Every few years I look through the various discs and find something new. When I was in 4th grade it was Elvis & Meatloaf, when I got to high school it was Frank Zappa and last year it was Love.

As great as the album is, I for some reason never attempted to look into any of their other albums until this past Tuesday.

On Tuesday (with change I had been amassing on my desk) I bought the Criterion edition of Bottle Rocket. Though I had seen the film at least three times before, I had never really paid attention to the music in the first burglary scene. Maybe it's due to the shitty mix on the standard edition DVD. Who knows? But anyway - this time the music stood out. I found myself wondering -

Who the fuck is this awesome band?

It sounded like if The Who were inventing punk. Quick IMDB search and I discover that the song is called "7 and 7 is" by Love. It's off their album Da Capo which came right before Forever Changes and is pretty awesome as well.

Take a listen




Most of you hip cats out there are likely already on the Love bandwagon. But those of you who are not better get jumpin' cause this is great great music.

Dig?

Wednesday, November 26, 2008

Warhol 2.0


"You know, the Strokes have a certain sound, and when their first album came out, it felt, to an older generation that had been around for New Wave, No Wave and all that, that their music was referencing several different bands we remembered from another time. But I've heard that Julian [Casablancas] didn't know those bands. He had a vague idea of what that sound was, but he's not a student of it. So many references, older references, are lost on young people. They're part of their subconscious, but they don't really know where they come from, because everything has been so recycled and remixed and remastered."
-Marc Jacobs

Harder, Better, Faster, Stronger

Fuck the auteur theory. No single man or woman makes a film. A film is the product of intense collaboration between a team of talented individuals, all bringing their unique skills, in hopes of elevating the whole. Nowhere is this better exemplified than in the contrast between Bottle Rocket the short film and Bottle Rocket the feature.

During the two years that elapsed between the short and the feature, Wes Anderson and Owen Wilson were subjected to an intense film bootcamp administered by the legendary James L. Brooks. Over the course of those two years, Wilson and Anderson developed a much stronger sense of narrative and structure. It was also during this time that Wes met cinematographer Rober Yeoman as well as the design duo of David and Sandy Wasco.

Now I'm not saying that Wes and Owen were a couple of country rubes who were whipped into shape by the Hollywood machine. In their short you can see protian forms of everything that would eventually come to bear in the features. Especially that tone. That tone is all them. What I am saying is that with the right collaborators, good artists can become great.

Sunday, November 23, 2008

Variations On A Theme (Due)

Set-up:
A group of wealthy Italians go for a cruise and decide to visit a deserted island. While exploring the island, a girl goes missing. Her boyfriend and best gal pal take it upon themselves to find her.
Sounds like a fairly decent first act to a what could be a great thriller.

Upon its premiere at the 1960 Cannes International Film Festival, Michelangelo Antonioni’s masterpiece L’avventura was met with audible “Boo”-s.

What they were reacting to was the film’s apparent contempt for narrative. The mystery of the missing Anna is never resolved. What we as an audience are left with is the romance(?) of the two people searching for her.

While watching this film, one cannot help but think of Alfred Hitchcock’s Psycho. Serial killers aside, the films are strikingly similar. A female protagonist goes missing, her boyfriend and best friend (or sister) go looking for her, they fall in love.

It’s almost like Hitch was attempting to show that in the proper hands, this set-up could be quite the crowd pleaser. The catch is that both films were released in 1960. Neither filmmaker was aware of what the other was doing.

How do you say collective unconscious in Italian?

Friday, November 21, 2008

Guess Who's Coming To Dinner?

Though it has been rumored since forever...

It looks like the Bluths are one step closer to the big screen.

According to the Hollywood Reporter, series creator Mitch Hurwitz and Ron Howard have signed deals with Fox Searchlight to write and direct an Arrested Deveolopment movie! Time to bust out the DVDs and brush up on all the quotable goodness.

Also, I never thought I would find myself having to say this but...

Thanks Sex and the City movie! Your box office returns made studios more willing to give feature film versions of TV shows a try!

Yes I'm aware that most TV to film transfers amount to little more than an extra long episode and that it will likely be a box office dud. But I don't give a fuck. Wanna know why?

Tuesday, November 18, 2008

CHURCH v. STATE


I know that it seems like this is turning into a blog entirely dedicated to the issue of gay rights; but with the passage of Prop Hate and my upcoming nuptials to the greatest woman on earth, I cannot help but have marriage on the brain.

Personally I am going to try and stop using the term “gay marriage”. I believe that referring to it as “gay marriage” continues to perpetuate the idea that it is something “other”. It makes a distinction between “marriage” and “gay marriage”. It’s just a watered down version of the segregation we currently have in place with “marriage” and “civil unions”.

OK. That was all just prologue to what I really want to write about which is the separation of Church and State. Let me also make a disclaimer that the following is just an idea, just food for thought. I myself am not entirely behind it either but it is a very interesting idea and something that I would like to get some response to.

What if Government just got out of the marriage game entirely?

Now I know some of you are probably thinking that this sounds insane but bear with me. It seems to me that the big roadblock for homosexuals being allowed to marry is religion. This is best exemplified by the amount of money the Church of Latter Day Saints and other religious organizations pumped into the various gay marriage amendments across the country.

In their arguments and literature they make all sorts of claims about how allowing homosexual couples to marry would somehow hurt or devalue their marriages. I personally feel this is bullshit.

What it really breaks down to is that they see homosexuality as a sin and feel that were we to allow homosexuals to marry, we as a Nation would be condoning a sinful lifestyle and we all would be headed for hell. This idea of collective damnation is the same mentality that lead to the Salem Witch Trials. But I digress. Back to the key point…

If marriage is such an important and sacred word, let's get it out of all these legal documents floating around our Nation. Religion has no place in politics and vice versa. Here's an idea: If you want to get married you can go to a church (mosque, temple, etc), if you want a civil union (and to be recognized by the Government) you go to a courthouse.

This way religion is not allowing 'Godless sodomites' to 'besmirch' a 'sacred institution', and government can be free to grant all of our citizenry the equal protection they are entitled to under the law.

"Render unto Caesar the things which are Caesar’s, and unto God the things that are God’s” - Matthew 22:21

Once again this is just a theory. But I’d like to get your thoughts on it.

Friday, November 14, 2008

the EMPIRE strikes late

Last month, anyone and everyone with a love of cinema was talking about Empire Magazine's list of "The 500 Greatest Movies Of All Time". Once the issue made it's way to the US (Empire is a British mag) it sold rather rapidly and thus it was rather difficult for one such as myself to get ahold of a copy. Fortunately today I was able to track one down (with "A Clockwork Orange" on the cover no less). I shall now regale you with my thoughts on the list.

Aside from the fact that it's a little geek-centric, and the inclusion of some head scratchers ("Star Wars Episode I: The Phantom Menace" and "Lords of Dogtown" to name a few) it's a pretty decent and diverse list. Check out the top 10:

10. Fight Club
9. Pulp Fiction
8. Singin' In The Rain
7. Apocalypse Now
6. GoodFellas
5. Jaws
4. The Shawshank Redemption
3. Star Wars Episode V: The Empire Strikes Back
2. Raiders Of The Lost Ark
1. The Godfather

Another cool feature is that peppered throughout the issue are handwritten ballots submitted by cool filmmakers like Roger Deakins and John Sayles as well as less cool filmmakers like Uwe Boll. Ever wonder what Quentin Tarantino's top 11 (apparently 10 is for lesser men) favorite films are? Wonder no more:

1. The Good, The Bad and the Ugly
2. Rio Bravo
3. Blow Out
4. Taxi Driver
5. His Girl Friday
6. 5 Fingers of Death/King Boxer
7. Pandora's Box
8. Carrie
9. Unfaithfully Yours
10. 5 Graves to Cairo
11. Jaws

Somehow I did not receive a ballot in the mail from Empire. This is odd seeing as I am such a powerful figure in the film industry. Perhaps there was some sort of trouble with the international mail service. Oh well. I shant let this deprive you from my Top 11 list (screw you Tarantino I can count that high too):

1. Pulp Fiction
2. Ed Wood
3. Dr. Strangelove
4. Taxi Driver
5. L.A. Confidential
6. Annie Hall
7. The Godfather Part II
8. Chasing Amy
9. Buffalo '66
10. Boogie Nights
11. Y Tu Mama Tambien

Hopefully Empire'll get that whole mail thing worked out before it's time to compile another list. Until then...

See you at the movies.

Tuesday, November 11, 2008

Everything Was Beautiful, And Nothing Hurt

Today is Veterans' Day. Today is my birthday. But this isn't really about me. Today is also the late Kurt Vonnegut Jr's Birthday. Here are his thoughts on Veterans' Day as found in the awesome awesome book known as...
I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month.

It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.

Armistice Day has become Veterans' Day. Armistice Day was sacred. Veterans' Day is not.

So I will throw Veterans' Day over my shoulder. Armistice Day I will keep. I don't want to throw away any sacred things.What else is sacred? Oh, Romeo and Juliet, for instance.

And all music is.
___________________________________________

Man I miss having my birthday buddy Kurt around. This is the second one without him. Here's the obituary I wrote for him:

"We are healthy only to the extent that our ideas are humane."
- Kilgore Trout's epitaph

For much of my early life I hated writing. This was primarily due to grammar. To this day I still hate grammar with a fury often reserved for genocidal madmen. Anyway…Near the end of freshman year I saw an article in the LA Times about how Bruce Willis wanted to make a film adaptation of this novel called "Breakfast of Champions." The article featured a photo of the book jacket: bright orange with superhero font. I didn't even read the article, but on a purely graphic level I was intrigued.

A few weeks later I found myself in the school's library with time on my hands. While roaming the aisles I decided to look for that book from the article. Once I found a copy I began reading it immediately. When it was time to go I checked the book out and continued to read as I walked about campus. I could not put it down.

Within 24 hours I was finished. I couldn't believe what I had just read. It was fun, it was satiric, it was violent, it was dirty - IT WAS A COMPLETE EXPERIENCE. As many know, "Breakfast of Champions" was Vonnegut's answer to mid-life crisis. He was reacting to getting older by writing the most juvenile book of his career, complete with a drawing of his asshole. He was consciously trying to have fun and thankfully that feeling was able to leap beyond the page and infect me.

From that point on, grammar was no longer my master. In the past I would write something to appease the rules of grammar, now I was writing to appease myself. I had finally found my voice as a writer. This became very useful throughout the rest of my educational career. Though my writing was/is not the best thing out there, professors appreciate the fact that my stuff isn't 'paint by numbers' and have continually rewarded me to the tune of As and Bs.

Had I never read "Breakfast of Champions" high school would have been a far more stressful experience. With writing no longer being a chore, I had lots of free time to do as I pleased. It freed me up so that I was able to tech shows, see great films, go to weird places and meet new people. Without such experiences I would not be the man that I am today.

I think it is fitting that Mr. Vonnegut and I share the same birthday because though he and I have never and will never meet, he gave me the greatest gift ever – the written word. For this I am eternally grateful.

So it goes.

Sunday, November 9, 2008

due maestri di bad-ass!

So apparently Ennio Morricone is going to do be scoring Quentin Tarantino's World War II epic Inglorious Basterds (sic). This is AWESOME news. Aside from Martin Scorsese, Tarantino is my favorite filmmaker when it comes to use of music. Every single film of his has been accompanied by an excellent soundtrack album and now it seems the same will be true of Basterds.

For Kill Bill & Death Proof Tarantino was only able to use pieces of pre-existing Morricone, now he'll be able to get the real shit live and uncut. Hopefully Morricone will deliver some epic and experimental stuff for Quentin. I'm tired of the respectable Ennio. I want the return of THIS Ennio:

Perhaps he could win an Oscar® for reals this time. This could be the movie that shows the Academy® that he didn’t need their pity.

Viva il maestro!


Saturday, November 8, 2008

Gay Messiah

Disclaimer
The recent passage of Proposition 8 has put gay rights front and center in my brain. Though some might find this weird or even offensive seeing as I am a breeder, I have always felt like a friend of the family. Though I am not one of the chosen, I take the struggle for gay rights very seriously and it is with that in mind that I write this blog.


Why is gay marriage still an issue? This coming June will mark the 40 year anniversary of the Stonewall Riots. If you use the Civil Rights Movement as a model, we should have had gay marriage in this country over a quarter century ago.

Many people consider the 1955 murder of 14 year old Emmet Till as the primary catalyst for the Civil Rights Movement. By 1964 racial segregation was struck down and in 1967 anti-miscegenation laws were struck down. This is not to say that racism is over (I mean look how long it took us to get a black President) but on a purely legal level, shit got done.

So why hasn’t the Gay Rights Movement been able to follow suit? My theory is that this is because the movement has lacked a charismatic leader. While groups like GLAAD and PFLAG do great work, a highly visible public face for the movement could do even more. A leader helps to keep your eye on the prize. When Martin Luther King Jr. and Malcolm X spoke, people listened.

Now I’m aware that it is much easier to say all of this than to do it. Great leaders are not born every day and you can’t really hold auditions for something like that. Also the diversity of the LGBT(I) community is an issue. Would gay men want a lesbian representing them and vice versa? Some yes and some no probably.

So what’s the point of this blog? I don’t really know. It’s not like someone reading this will all of a sudden change the world. I mean the suggestion it makes isn’t even something you can just go out and do. So why did I write this?

I wrote this because it hurts me deep down in my soul to see people who love each other unable to be joined in MARRIAGE. Don’t even start on, "domestic partnership". How is that any different than separate but equal? God I have so many different swirling emotions and it frustrates me that there is nothing to do about it.

Sure there are marches going on almost daily throughout the southland. But I can’t fight the feeling of, “What good will it do?” 52% of California’s population doesn’t seem to see this as a matter of Civil Rights. How can we make them see? I wish I had an answer. Maybe someone out there does.

I guess I’m holding out for a hero.

Thursday, November 6, 2008

Dream Job


When you're a child it seems like you are constantly being asked:

"What do you want to be when you grow up?"

It's a rather clever trick used by adults so they know whether to enroll you in art classes or football. Gonna have to remember that one for when my intended and I eventually have little ones. Oh God I hope they don't like sports. Anyhow...

When people ask me what I want to do with my life, I often reply that I want to be a filmmaker. This is a lie. Want to know my real dream job? Promise you won't tell? OK...

I want to name jazz songs.

Don't understand why? Go to the Jazz section at any record shop and check out the names on the back of those albums.

-"Please Don't Come Back From The Moon" by Charles Mingus
-"The Tattooed Bride" by Duke Ellington
-"Stratusphunk" by Gil Evans
-"Miles Runs The Voodoo Down" by Miles Davis

Imagine how awesome that would be. Jazz musicians travel from all over the globe to your office where they set up and perform their newest composition. You then sit in silence for a moment before bestowing upon them the precisely perfect title.

If you are a jazz musician in need of titles or know any jazz musicians in need of titles please send them my way. You/They will not be disappointed.

Wednesday, November 5, 2008

The Road



As excited as I am about the Obama victory, there is still great sorrow in my heart today. It comes from the fact that though we as a country chose by and large to break away from eight years of failed policy, we were unable to stop ANY of the bans on gay marriage.

All over the news, people have been talking about what an Obama presidency symbolizes to our Nation and to the world. They talk about how we are now a show rather than tell country. They talk about how now it is truly possible for anyone to become President if they so desire. Well apparently that does not apply to our friends in the LGBTI community.

But there is hope.

From 1924 until 1967, Virginia had a “Racial Integrity Act” which made it a felony for a white person to marry a non-white. This act was ruled unconstitutional by the Supreme Court in the landmark case of Loving v. Virginia. What was the deciding factor in that case?

The 14th Amendment states: “No state shall…deny to any person within its jurisdiction the equal protection of the laws.”

As depressed as I am today, that statement is what gives me hope. It demonstrates our system’s amazing ability to correct itself when things are inherently wrong. As unjust as these bans are, they will lead the way for lawsuits which will in turn lead to Supreme Court cases like Loving v. Virginia. Sure it’s a long road ahead, but I am prepared for the journey.

Also...

Remember, remember the fifth of November
The gunpowder treason and plot
I know of no reason, why gunpowder treason
Should ever be forgot

Tonight is Guy Fawkes Night. I recommend watching V for Vendetta. It's relevant to the gay marriage issue as well.

Hasta la victoria, siempre.

Tuesday, November 4, 2008

Monday, November 3, 2008

Legend of the Sun Virgin & More

Peruvian Goddess Yma Sumac, has died at the age of 86.

While definitely an acquired taste, I think anyone can at least appreciate her stunning vocal range. At her peak it is said that she could cover five octaves. That is INSANE. You will be very greatly missed ma'am and I know for a fact that there shall never be another like her. RIP Yma



In other news...

We have an election going on tomorrow.
The following is your soundtrack for the revolution.

-"Revolution" by The Beatles
-"Kick Out the Jams" by MC5
-"Subterranean Homesick Blues" by Bob Dylan
-"Fortunate Son" by Creedence Clearwater Revival
-"The Revolution Will Not Be Televised" by Gil Scott-Heron
-"New Kicks" by Le Tigre
-"When Ya Get Drafted" by Dead Kennedys
-"B.Y.O.B." by System Of A Down
-"The Message" by Grandmaster Flash And The Furious Five
-"Gimme Some Truth" by John Lennon
-"Wake Up" by Rage Against The Machine
-"White Riot" by The Clash
-"Rise Above" by Black Flag
-"Won't Bleed Me" by Melvin Van Peebles
-"Guerilla Radio" by Rage Against The Machine
-"Fight The Power" by Public Enemy
-"Road To Joy" by Bright Eyes
-"Power To The People" by John Lennon
-"Intervention" by The Arcade Fire
-"Street Fighting Man" by The Rolling Stones
-"Bring On The Lucie (Freeda Peeple) by John Lennon

And last but most certainly not least...

Friday, October 31, 2008

We're Doing It!

Last night I went and saw Zack and Miri Make a Porno. Today I have a sinus headache. As a result I’m having trouble formulating all my different ideas about the film into one intelligent and coherent review. So here’s the basics…

I really enjoyed the film. It was awesomely funny and also rather sweet. There are a few points where the sweet almost tips the scale into schmaltz territory but those moments are few and far between AND a great funny line always comes along to restore balance to the force. If you like Kevin Smith’s stuff you will love this film. If you don’t like Kevin Smith stuff you still might like this film. It’s a cute date movie. Go give it a try.

Here are some aborted attempts at introductory paragraphs and angry rants:

Many reviews of this film have spoken about the synergistic relationship between Kevin Smith and Judd Apatow. They mention how Kevin’s early films lead the way for Judd who in turn made the whole obscene/touching dynamic commercially viable with hits like The 40-Year-Old Virgin and Knocked Up. While all of this is true, it must be noted that before Kevin Smith...there was another. “Pope of Trash” John Waters has made a career out of films about a scrappy bands of outsiders and it is in that tradition which Zack and Miri Make a Porno finds itself firmly placed.

Kevin Smith’s films exist along a spectrum. At one extreme you have Chasing Amy and at the other you have Jay and Silent Bob Strike Back. Aside from a few shared characters and verbal rhythms, the films could not be further apart. One is a nuanced meditation on love and sex, while the other is a broad slapstick cartoon. Located precisely in the middle of these two poles, is Zack and Miri Make a Porno.

The following are excerpts from Lisa Schwarzbaum’s review of Zack and Miri Make a Porno for Entertainment Weekly:

“…a visual eyesore, as if compositional coherence signifies selling out to the man.”

“…an intimate scene that even bad cinematography can’t ruin…”

I seriously feel that Ms. Schwarzbaum was watching an entirely different film than the one I saw last night. Cinematographer David Klein, working in harmony with production designer Robert Holtzman, created a wonderful dirt-smeared palette which perfectly compliments the film’s ‘down on your luck’ vibe.

And as for accusations of shoddy composition? I do not see how this film is any worse compositionally than 90% of the dreck unspooling on screens every week. I’m not saying that it is Antonioni-esque or anything, but it is also extremely far from compositional incoherence.

I’d be interested to see how many film reviews by Ms. Schwarzbaum over the last 15 years have included the word “composition”. Something tells me not many, and the few that do are probably Kevin Smith movies.

I get that she didn’t like the film, but why does she have to rely on old "truisms" that are no longer true? Sure Kevin had less than stellar meis en scene when he started, but after working with the likes of Vilmos Zsigmond can you really still make such claims? It comes off as reaching.

Hopefully reading all of these disparate parts in quick succession will give some semblance of what I would have said in an actual review. Time for Advil.

Hee Hee. This is my 69th blog post.

Thursday, October 30, 2008

5 Days Out

The election is less than a week away and things are not looking too good for Mr. McCain. Don't believe me? Check out the following clips -





Wow even Fox "News" callin' a brotha out. I know it's great to watch and bodes well for our side, but don't let it make you cocky. A lot can happen in 5 days so don't let me catch you resting on your laurels.

Get out there and rock the motherfuckin' vote!

Friday, October 24, 2008

ULTIMATE FAIL!!!

OK everyone. It's time for a special celebrity edition of America's favorite failure based game show...

ULTIMATE FAIL!

Today's contestant is Republican Vice Presidential Candidate Sarah Palin. We now go live to special political correspondent Brian Williams.

Not quite sure where she went wrong?

Read This -

terrorist: noun - A radical who employs terror as a political weapon; usually organizes with other terrorists in small cells; often uses religion as a cover for terrorist activities

Now Click & Read -

http://en.wikipedia.org/wiki/Eric_Robert_Rudolph

OK now.

Everybody say it with me...

ULTIMATE FAIL!!!

I'm sorry ma'am but you just lost the right to even be CONSIDERED for the office of Vice President. Thank you for playing.

Tune in next week for more failure-ific fun.

Thursday, October 23, 2008

What have you done for me LATELY?

A brief observation:

Whenever a conservative decides to jump ship and endorse Barack Hussein Obama the immediate reaction is to begin denigrating that person as not a ‘true conservative’. This all hit a fever pitch on Sunday when Colin Powell decided to endorse Obama while speaking on “Meet the Press”.

Colin Luther Powell served as a National Security Advisor to Reagan, Chaired the Joint Chiefs of Staff under Bush Sr. and acted as Secretary of State to Bush Jr. For most people, a resume like that would buy a lot of Republican street cred.




Oh and let’s not forget the fact that Powell is pro-choice and his mother dresses him funny.

I don’t get it.

Had Powell chosen to endorse McCain the Bill Kristols and William Bennetts of the world would be extolling his virtues as a wise and respected conservative man of principle. He's their negro as long as he's useful. After that -

'To the wolves with you. We have Alan Keyes.'

I honestly believe that if Ronald Reagan were to suddenly rise from the dead and endorse Barack Obama, every dittohead from here to Timbuktu would be decrying him as not a ‘true conservative’ and would repeatedly regurgitate the fact that he was a registered Democrat until 1962.

I sure hope Andy Griffith is ready for the onslaught:

See more Ron Howard videos at Funny or Die

Monday, October 20, 2008

Movies Of The Future!

Next Tuesday will mark the DVD release of “Poultrygeist: Night of the Chicken Dead” and though I have not seen the film myself I highly recommend it to anyone and everyone.

Some of you might be wondering: "What could give him such unbridled enthusiasm for an unseen film?"

For you I have two words: "LLOYD KAUFMAN!!!"

Many out there (close friends of mine included) like to dismiss Troma© as schlocky trash with absolutely no redeeming value. On one level they are correct. Troma© has released its’ share of “goat shit”, but when it comes to actual Lloyd Kaufman productions, you are in for a treat.

Lloyd is no dummy. He attended Yale alongside the likes of Gary Trudeau, Oliver Stone, George W. Bush and John Kerry. He also knows his cinema. As a young man he worshiped at the altar of art filmmakers like Andy Warhol and Stan Brakhage and it is this anti-authoritarian/underground streak that shines through in all of his films.

Unlike so much of the shit cluttering out multiplexes in this day and age, Lloyd actually makes films ABOUT something. He makes films about AIDS, abortion, women in the arts, our consumerist culture, etc. Of course it all gets related through the prism of a gory horror comedy but that just makes it all the better. A spoon full of sugar helps the medicine go down.

Even the ramshackle/low-budget nature of the productions serves as a plus. Godard isn’t the only one who can effectively used Brechtian devices in film. A particularly fake looking head explosion is an excellent way to remind you that you are watching film. An aware audience is much better able to interpret and discuss the ideas they are being fed. Unlike “Forrest Gump” et al, these films are not propaganda.

Now of course Troma© isn’t for everyone. Those with weak stomachs might want to take a rain check and that’s to be understood. But for those of you out there who consider yourselves serious cineastes, there is absolutely no excuse.

Lloyd is quite simply the most inspiring individual currently working in film. His passion is so intense that regardless of the medium, he is able to reach out and grab you. His prose can be just as inanely infectious as his cinema.

Recommended Viewing
-The Toxic Avenger
-Troma’s War
-Tromeo & Juliet
-Terror Firmer
-The Toxic Avenger IV: Citizen Toxie

Recommended Reading
-Make Your Own Damn Movie

NOW LET’S GO MAKE SOME ART!!!

Wednesday, October 15, 2008

Casting Couch

Over the years the gap between a film’s theatrical release and its’ appearance on video and TV has grown smaller and smaller. So small in fact that many consumers opt to just skip the theatrical run altogether.

Good news for DVD and cable sales, bad news for theater owners. That is unless you’re 2929 Entertainment®.

Owned and run by billionaire Mark Cuban and his business partner Todd Wagner, 2929 Entertainment® consists of:

- Magnolia Pictures
- Landmark Theatres
- Magnolia Home Entertainment
- HDNet
- HDNet Films

Yep. They own the means of production as well as the means of distribution.

It is with this in mind, that back in 2005, 2929 Entertainment signed a deal with Oscar® winning director Stephen Soderbergh, to produce six feature-length films for simultaneous release on pay cable, DVD and in theaters.

Within a year of the deal Soderbergh had produced “Bubble”, an excellent film about murder in a small town, starring non-actors who all work at a doll factory. Definitely worth a rental.

Now, nearly four years and four non-2929 films later, Soderbergh is ready for another go around. This one will be titled “The Girlfriend Experience” and will center on the world of high-class call girls.

When the project was first announced Soderbergh stated that his intention was to use a girl from the world of adult film as his star. Yesterday he announced his choice:


I don’t know exactly how to feel about Sasha Grey.

She’s pretty, insisted on being photographed by Terry Richardson for Penthouse, pals around with the likes of The Smashing Pumpkins and The Roots, she’s a feminist (though some might dispute her on that) and loves art cinema.

So what’s the problem right?

My problem is with this tough yet aloof exterior she presents. She’s confrontational yet blasé about EVERYTHING! She’ll talk about the taboo of interracial porn or about empowering herself by pushing her personal sexual boundaries and I'm sure she really means it all, but it all comes off feeling false.

Yeah I know she’s got an image to maintain but that image really prevents me from taking her seriously about anything she has to say. Regardless of the topic, it all sounds the same. Who finds that interesting let alone sexy? Perhaps I’m just too square.

Anyhow, I’m really interested to see how “The Girlfriend Experience” turns out. If anyone can get behind her façade, it’s Stephen Soderbergh. Who knows? She could end up surprising me.

Tuesday, October 14, 2008

What's Yr Take on Cassavetes?

If you have ANY interest in/appreciation of fine acting or great cinema, you NEED to see –

“A Woman Under The Influence”

I don’t care what certain members of Le Tigre say. Mr. Cassavetes is in no way a misogynist. This is a story about people doing the best they can to handle a situation they don’t really understand. Of course characters are going to do and say horrible things. That’s life and that’s what John was trying to capture.

Gena Rowlands’ performance is one for the ages. Every line, every gesture, every panicked look comes from a real and honest place. She really should have won that Oscar® (though Ellen Burstyn was pretty damn good in “Alice Doesn’t Live Here Anymore” as well). John crafted her the perfect role and she played it to the hilt.

Definitely not a Saturday night date movie, but essential viewing none the less.

Friday, October 10, 2008

A New World Of Gods And Monsters!

Aside from heaps upon heaps of troubling economic news, the other big story of this week was the McCain/Palin campaign's decision to enter the character assassination game. At rally after rally the candidates as well as their surrogates, took every possible opportunity to question Senator Obama's patriotism.

The constant repetition of the Senator's full name (Barack Hussein Obama) by surrogates, combined with repeated accusations of Obama "paling around" with a terrorist, has resulted in many crowds chanting things like, "traitor" and in some cases "kill him".

This is INSANELY irresponsible on the part of the McCain/Palin campaign. Sure most of your rank and file Republicans out there will be content with chanting, blogging, e-mailing and voting to get out their aggression - but what about the others? What about that proverbial "lone nut"? I don't think a cleaning agent exists that can even begin to remove that much blood from someone's hands.

At a rally today, Senator McCain attempted to cool every one's collective jets. But is it too late?



Hate is not a faucet that you can simply turn on and off at will. Has John McCain opened Pandora's Box? Has he given birth to a monster not even he can control?



PS: A bi-partisan legislative council in Alaska just released a report stating that Gov. Sarah Palin broke a state ethics law which prohibits public officials from pursuing personal interest through official action.

Read all about it: http://www.cnn.com/2008/POLITICS/10/10/palin.investigation/index.html

Wednesday, October 8, 2008

Can We All Do This Together?

Back in the mid to late 90s the Dogme 95 movement was all the rage. Developed by Danish filmmakers Lars Von Trier and Thomas Vinterberg, the movement and its’ “Vow of Chastity” (http://www.dogme95.dk/the_vow/vow.html) attempted to return filmmaking to what they saw as its’ pure state – telling stories about human beings.

In spite of great successes with films like “The Celebration” and “Julien Donkey-Boy”, the movement eventually petered out in the early 2000s. Both the world and the filmmakers had grown tired of shaky-camera melodramas.

What a difference 5 years makes.


Shot on hand-held digital video with an incidental soundtrack, Jonathan Demme’s “Rachel Getting Married” is shaping up to be one of the better pictures of the year.

While some might try to label it as such, the film’s style is far from a "gimmick". The film tells a story that is both beautiful and ruthless, which the cinematography reflects perfectly. Just as a scene can rapidly transition from heartbreaking to joyous, so too can the visuals switch from fluorescent jaundice to the most vivid and warm palette you can imagine.

Let us also not forget the performers who made this all possible. They are the ones who are able to make a conversation switch on a dime from cutting brutality to blissful hugging. Though Anne Hathaway will deservedly receive a huge amount of praise (and probably an Oscar® nomination) for her un-glamorous portrayal of recovering junkie Kym, we should not forget the rest of the cast. In moments both light and dark, everyone gets a chance to shine and they are all superb.

Last but most certainly not least, praise must be heaped upon screenwriter Jenny (daughter of Sidney) Lumet. Her screenplay is messy in the best way possible. It is content to leave some things unresolved and to ramble like her characters speak - with intense emotion and conviction.

Don’t be afraid.

This film knows where it's going and you really should come along.

PS: Roger Corman has a blink and you miss it cameo. Perhaps this is a sign from the gods that this will finally be Roger's year to get an honorary Oscar®.

*fingers crossed*

Monday, October 6, 2008

The People's Mouse

I just had to share this photo:
Yep that's Mickey and Walt with Soviet Auteur Sergi Eisenstein.

I found it over at http://criterioncollection.blogspot.com/ and apparently it's included on their edition of the "Alexander Nevsky" DVD. Though it by no means forgives my issues with The Walt Disney Company® - it does make Walt a tiny bit cooler. Let's not forget he also hung with Dali.

Now if only we could convince Bob Iger that Walt would have wanted Mickey to go into public domain so that he could become the property of the proletariat.

Oh who am I kidding? When's the last time anyone at that company gave a thought to what a member of the Disney family might want?

Mahalo

Another day to live through. Better get started.

What is it like to be the last man on earth?

Over the years, many films, books and comics have wrestled this particular question. My particular favorite exploration is Brian K. Vaughan and Pia Guerra's epic comic book series "Y: The Last Man" which I highly recommend to anyone and everyone.

Another staple of the "genre" is Richard Matheson's 1954 novel entitled "I Am Legend". Though famously molded into a Will Smith vehicle last year, this book had already been adapted twice before. Last night I had the pleasure of watching the original, unambiguously titled, 1964 adaptation - "The Last Man on Earth".

Vincent Price's voice is a thing to behold. It's capable of sending tingles down your spine (reciting Edgar Allen Poe's "The Raven") as well as making you want to get your groove on ("rapping" at the end of Michael Jackson's "Thriller"). Though clearly best suited for talking pictures, Price could have easily been a star of the silent screen.

Outside of voice-over narration and the above pictured attempt at radio communication, the first roughly 15 minutes of the film are dialogue free. When you're "The Last Man on Earth" there's not really much need for talking. As a result of disembodying voice from action, the audience is able to better appreciate Price's skilled physicality. With nothing more than posture and a hang dog expression Vincent communicates the extreme loneliness and boredom of Robert Morgan's predicament. The performance is sheer brilliance.

Unfortunately the rest of the film does not live up to the promise of the first third. Once dialogue enters the equation 90% of the film's energy vanishes. Director Ubaldo Ragona suddenly seems content to let the dialogue do all of the storytelling. Le sigh.

It's an interesting catch-22: Without the first act the film is a perfectly watchable (though standard) Vincent Price creep-fest, with the first act it becomes a flawed masterpiece. Is it better to strive for greatness and fall short or to simply be content with mediocrity? Personally I find myself in the 'strive for greatness' camp.

Though I've always loved Vincent Price, I never really took him that seriously. He was always great for creepy/campy fun but nothing more. If it weren't for the opening of "The Last Man on Earth" that would have still been the case. Thank you Robert Morgan.

Thursday, October 2, 2008

All Of Them

In a series of interviews over the past week, Sarah Palin has succeeded in making milquetoast anchor Katie Couric look like Edward R. Murrow. Most of the interview clips made me laugh and left me with a sinking feeling about our Nation's future but it was the following clip that really angered me:



Look at her try to spin it like cute little Katie was accusing Alaska of being ill-informed. No Mrs. Palin, she's only talking about you.

I don't think that Sarah Palin is dumb by any stretch of the imagination. She knows how to dodge a question, how to spin it and how to mention as many key phrases as possible. That takes smarts and I'm pretty sure she reads. She holds a BS in Communications-Journalism. If she doesn't read then that's just plain sad. So let's just assume that she is an intelligent and literate woman. Why would someone withhold their reading list? Though I have absolutely no way to prove it, my theory is:

By refusing to name specific periodicals, Mrs. Palin is trying to appeal to the anti-intellectual contingent within the Republican party.

Over the past eight years the middle-class has seen increasing hardship. The rich have become richer while average Americans have found it harder and harder to make ends meet. As a result, a great deal of Americans have a strong mistrust towards "elites". This puts the Republican Party at quite the disadvantage.




What is a political party to do? How can they possibly convince the biggest voting block out there (the middle class) that they are not the party of the elite?

*Light Bulb*

BY CALLING THE OTHER GUYS ELITES!

Look at them and all their fancy book learnin'. They don't know what it's really like. They just sit there judging you in their ivory towers. Rowin' boats and eatin' ivy. Let's go race snow machines and watch "The Passion of the Christ".

By not naming specific newspapers and magazines Sarah Palin sidestepped tarnishing her carefully crafted image as "one of us", by mentioning that she reads periodicals which some might characterize as being part of the terrible, horrible, no good, very bad, eletist - "Liberal Media". Rule #1 of being a VP nominee - do no harm.

Frankly I'm sick and tired of all this shit. There is nothing wrong with being intelligent and informed. Teaching Constitutional Law at the University of Chicago doesn't mean you're an elitist -

IT MEANS YOU'RE SMART!

And that's what I want in a leader. I want someone smart!

PS: Sarah Palin spoke in California today and decided to spout stale talking points from long ago regarding Mr. Obama and former Weather Underground member Bill Ayers. In her harangue Mrs. Palin cited that "old gray lady" of the "liberal media" - The New York Times.

Source: http://www.breitbart.com/article.php?id=D93JSBFO0&show_article=1

On a side note...

Since Sarah Palin claims to read "all of them" here are some titles we must assume she reads:

-The Struggle
-Calling Our Nation
-Nida’ul-Islam
-Al Ansar
-Newcummers
-Savage Male
-Uncut

Of course those last three she only reads for the articles.